CREDIT & THANKS
CAST
Ensemble / Cover Nana Amoo-Gottfried
Witch Victoria Clow
Malcolm Simeon Desvignes
Macduff Roxy Faridany
Ensemble / Cover Jasmin Hinds
Witch Lucy Johnson
Lady Macbeth Hanora Kamen
Ross Louise Lee
Lady Macduff Roann Hassani McCloskey
Macbeth Patrick Osborne
Banquo Robert Penny
Duncan Jo Servi
Witch Rhiannon Skerritt
All other characters played by members of the Company.
MUSICIANS
Percussion Rosie Bergonzi
Musical Director / Percussion Zands Duggan
Bagpipes / Percussion Max Gittings
STAGE MANAGEMENT
Assistant Stage Manager Danielle Whitfield
Deputy Stage Manager Sophie Johnson
Stage Management Placement Jessica Weston
Stage Manager Rebecca Austin
CREATIVE & PRODUCTION TEAM
Associate Director Roberta Zuric
BSL Consultant William Grint
BSL Creative Associate Becky Barry
BSL Performance Interpreters Amy Astley, Connor Bryson
Carpenters Brendan McSherry, Jon Webb
Casting Director Nick Hockaday
Composers Ben Hales and Dave Price
Costume Breakdown Artist Rebecca Lesley
Costume Supervisor Sian Harris
Deputy Company Managers Kristy Bloxham, Carole Pestridge
Deputy Head of Props Isobel Irwin
Deputy Heads of Stage Max Rodriguez-Thorpe, Chandler Totham
Deputy Head of Wardrobe Imogen Rhodes
Deputy Head of Wigs, Hair and Makeup Missy Brazier
Designer Natalie Pryce
Director Lucy Cuthbertson
Fight Director Sam Lyon-Behan
Globe Associate – Movement Glynn MacDonald
Head of Company Management Marion Marrs
Head of Props Emma Hughes
Head of Stage Bryan Paterson
Head of Wardrobe Emma Lucy Hughes
Head of Wigs, Hair and Make-up Gilly Church
Illusion Designer John Bulleid
Marketing Lead Caoilainn Mcgarry
Movement and Intimacy Director Asha Jennings-Grant
Producer Cynthia DuBerry
Production Manager Hattie Wheeler
Senior Technician George Dix
Voice Coach Liz Flint
Wardrobe Assistants Ashleigh Gill, Kay Hill
Wardrobe Technical Assistant Amy Trigg
Wellbeing Lead Laura Fowler for Wellbeing in the Arts
WITH THANKS TO
With special thanks to our project sponsor, Deutsche Bank.
Thanks to Stunt Coordinators Nathaniel Marten and Dave Nolan for Flame Finger; Phil Spencer and Sarah Davis from the Soldiers’ Arts Academy; and this season’s stewards.
SHAKESPEARE'S GLOBE EDUCATION TEAM
Director Education (Learning) Lucy Cuthbertson
Director Education (Higher Education & Research) Will Tosh
Education Producing
Assistant to the Directors of Education George Dennis
Education Producer Flora Doble
Education Producing Administrator Charis Winter
Education Producing Coordinator Rob Thorpe-Woods
Senior Education Producing Coordinator Kate Peters
Senior Education Producer Richard Knowles
Learning
Education Administrator – Learning Cynthia Vera
Education Administrator – Learning Madison Ambroise
Learning and Teaching Manager Sukhi Bhoday
Learning Coordinator Amanda Hart
Learning Coordinator Emma Bower
Learning Coordinator Mahvish Malik
Senior Learning Manager Charlie Withers
Youth Theatre and Learning Coordinator Lyse Marcelle
Youth Theatre and Learning Manager Sammy Fiorino
Research and Collections
Head of Research Hanh Bui
Library and Archives Manager Jane Fowler
Research Fellow and Lecturer Lydia Valentine
SHAKESPEARE'S GLOBE DEVELOPMENT TEAM
Corporate Partnerships Manager Katie Baker-Neame
Corporate Partnerships Officer Flora Scott
Director of Development Amy Cody
Head of Corporate Partnerships Rebecca Greenbank
STAFF AND SUPPORTERS
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PORTER COMPETITION WINNER
In Act II, scene 3 of Macbeth, a character called the Porter lists behaviours that he (and the audience) finds frustrating and imagines sending people who enact them through the gates of hell.
The Porter’s speech was (we presume) funny and topical in 1606, but as the references are context-specific they can be meaningless to a modern audience. This made us wonder: what behaviours do our audience of UK students today find frustrating? What behaviours are frustrating enough to earn someone a place in hell?
To find out, we asked students from around the UK to update the Porter’s speech by replacing the people and behaviours he is criticising with people and behaviours from 2025 that they think are enough to earn someone a place in hell!
The winning version of the speech will be performed on the Globe stage in every performance of this year’s Playing Shakespeare with Deutsche Bank: Macbeth, to over 30,000 students.
The winner of the competition is:
Faith Obum-Uchendu
From Kendrick School, Reading