Katy Stephens has appeared in leading roles with Shakespeare’s Globe and the Royal Shakespeare Company, with whom she is an Associate Artist.

Previous work for Shakespeare’s Globe includes The Tempest, Much Ado About Nothing (2022), The Oresteia (2015), Thomas Tallis, Julius Caesar, Dr. Scroggy’s War (2014) and The Complete Walk.

Theatre credits include Coriolanus (Sheffield Crucible); Antony and Cleopatra (National Theatre); The Histories Cycle, As You Like It, Antony and Cleopatra, King Lear, Titus Andronicus, Candide, The Grain Store, Taming of the Shrew (Royal Shakespeare Company – Katie won the What’s on Stage Award for Best Actress in 2009 in The Histories Cycle, the production also won the Olivier Award for Best Ensemble Performance); A Woman of No Importance (Classic Spring); Memory of Water (Nottingham Playhouse); Macbeth, View from the Bridge (Tobacco Factory); Othello (English Touring Theatre); Intelligent Homosexual’s Guide (Hampstead); Forests (Calixto Beitio); Hamlet (Flute Theatre / Ett / Trafalgar Studios); A Midsummer Night’s Dream (Bath Theatre Royal); Tamburlaine (Bristol Old Vic); Caucasian Chalk Circle, Macbeth, Ion, Three Sisters, The Seagull, Blood Wedding, Road, The Europeans (Colchester); The King’s Speech (Chichester / Birmingham Rep); The Father, Twelfth Night, Our Day Out, Silas Marner (Belgrade Theatre).

Television credits include Casualty (BBC); The Bill, London’s Burning, Ellington (ITV).

Film credits include The Last Twitch (Shooting Lodge Productions); Relative Values (Overseas FilmGroup); Prick Thy Neighbour (French Fancy Productions).

Katy also runs Bold As Bard with Ego Performance Company in Coventry, a Shakespeare theatre company for adults with learning disabilities.